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Edwards is also Curator of , a program of performances, installations and interactive projects at Frieze New York.

The Frieze Artist Award supports the creation of an ambitious new work that responds to the dynamics of the New York fair.

Adrienne Edwards is Curator at Performa (New York), Curator at Large at the Walker Art Center (Minneapolis), and also a Ph D candidate in performance studies at New York University where she is a Corrigan Doctoral Fellow.

Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South.

In 2014, LUMA started the regeneration of the Parc des Ateliers, an expansive former industrial site located in Arles, France.

Situated adjacent to the city’s UNESCO World Heritage sites, the Parc des Ateliers serves as the major programmatic and cultural centre for the LUMA Foundation’s diverse activities.

LUMA Foundation: In 2004, Maja Hoffmann created the LUMA Foundation to support the activities of artists, independent pioneers and organizations working in the visual arts, photography, publishing, documentary filmmaking, and other media.

The LUMA Foundation produces, supports, and enables challenging art projects committed to an expansive understanding of environmental issues, human rights, education and culture.The closing date for applications is December 11, 2017 at 5pm EST; the winner will be announced in February 2018, with the inaugural project debuting in May 2018.Victoria Siddall, Director of Frieze Art Fairs, commented: “Frieze New York has always been a fair at which artists debut new projects, often specially conceived for this environment.Frieze Art Fairs announces the launch of the Frieze Artist Award at Frieze New York 2018, curated by Adrienne Edwards.The Award is an international open call for an emerging artist to realize a major site-specific work at Frieze New York, May 3–6, 2018.Edwards is a renowned curator, scholar, and writer with a focus on interdisciplinary art, performance and artists of the African diaspora and the Global South.

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